Friday, 21 December 2018

And To All A Good Night


Some final pix from Santarchy and then time to move on. There is something appealing about the sweater in the first photo. In the second, Lohr Barclay seems to be expressing some Yuletide cheer but if I read the micro-expressions correctly the woman on the left isn't entirely comfortable about it. Further down, some bright color and strange dress in a bar called B-Side, as in the back of an old 45 RPM record. Last, one of the more subdued partiers brought his mandolin. I loved it when he was playing La Habanera from Carmen.

New material tomorrow.




Thursday, 20 December 2018

Your Face Or Mine?


I'm not sure if what's in the man's right hand is a mask or a decoration. You could experiment.

Not real happy with the color correction here but there is no chance to use gels when shooting on the fly. My Photoshop skills are OK but hardly advanced.              

Wednesday, 19 December 2018

Christmas Cookies


Yes, a traditional and popular way to pack on the calories at this time of year. The interpretation of the sweater, gentle reader, I will leave up to you.    

Tuesday, 18 December 2018

Elves, Maybe


The people at Santarchy were encouraged to dress in something Santa-ish. I didn't have a costume so I wore a red shirt, sweater and jacket. Lohr gave me a Santa hat. Fortunately, no one took my picture (that I know of).

You could be an elf. Santa has elves, right? I'm sure that was the man's intention. The woman costume was perhaps an interpretation.

Taken at Yaquis restaurant and bar on Cherokee Streer. Big windows facing east, good in the afternoon.  

Monday, 17 December 2018

The Quality of Light


Another picture taken in Lucha. I don't remember the people's names so if you see, this identify yourselves!

Light from the outside can have such an impact on indoor photography. Lucha has large windows, nearly floor to ceiling, facing north. The light couldn't be more beautiful on a winter afternoon, although I probably used a little fill flash. Not that I am comparing my work but this kind of illumination is used so beautifully by Vermeer and most dramatically by Caravaggio. When taking run-and-gun pictures, we have to make use of every advantage.    
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