That's what it looks like to me, late Matisse, his birds painted or made with paper cut-outs. I don't know it that was the artist's intention for this section of Walls Off Washington but it is carried off well. It does seem, though, to have a bit of irony, peaceful symbols covering all those volts.
A small connecting building between the larger ones in The Walls Off Washington. All the other surfaces have designs, figurative or abstract (or a mix). This part makes for a good transition.
Why haven't I ever gotten through here? Walls Off Washington has been around for a few years, another project supported by the Kranzberg Arts Foundation. Kranzberg is a major sponsor of the St. Lou Fringe Festival, which, as long-time readers know, is a big interest of mine. Most of the wall art is along an alley between buildings mostly devoted to arts organizations. You can't see much from the street. More to come.
Almost curtain time at Opera Theatre. This is the lobby of the Loretto Hilton Theater on the campus of Webster University, a smaller local school less than 10 minutes from our home. (No one remember why it's called that.) It is just under a thousand seats if all the back and side bays are open, with an unusual thrust stage. The opera shares the venue with the St. Louis Repertory Theatre. The acoustics are excellent.
Apologies to Manet. Lots of people bring picnic dinners or order catered meals to have on the lawn outside the theater before our opera performances. There are many tables under the tent. We always go early to get a place there out of the sun or rain, but the tables extend much beyond the view in this photo. It makes for the start of a very civilized evening.
