The Crowe family will not be wasting any time breaking out of the confinement doldrums. This is Playa Tamarindo, on the northwest coast of Costa Rica. Our trip planned for January was canceled, of course, but we will be heading back in early July. Then a road trip to Kansas in August and a few places in central Europe in September, if they let us in. Travel is the best education, teaching us that our habits at home are not the only way to live.
Today is Memorial Day in the United States. I went out cruising yesterday afternoon looking for a suitable location with plenty of flags to mark the occasion. Nothing. Not the Veterans Memorial, not Art Hill, not the central downtown plaza and not even the Arch grounds.
Which does not mean that all was lost. I had the IR converted camera with me and wondered what it would do with the big wicket and the surrounding trees and sky. Well, this.
Yesterday was gray and freakishly cool in The Lou so I didn't get out to shoot new stuff. That led med to dip back into the first experimental batch of infrared pictures. They can make for interesting monochrome. This is part of the Grand Basin in Forest Park, looking at Art Hill and the art museum. The hill looks like it is covered with snow, and, indeed, it is our town's premier sledding venue. To the naked eye it is rich green at this time of year but, again, we are seeing the intense IR reflectivity of anything containing chlorophyll.
I've squeezed all I can out of the pictures from the City Museum and need to go out trolling for new material this holiday weekend. Monday is Memorial Day. Ellie, my 7 year old granddaughter, asked her mother to explain what it was about. After hearing her response Ellie said "oh, it's like veterinarian's day."
So anyway, new toy. I had one of my old camera bodies converted to an infrared sensor. It now sees colors that our eyes cannot. Exposure and focus are a little different. Anything that contains chlorophyll reflects IR like crazy so many plants look white. Then there are tricks you can play with the visible results in Photoshop. This is a first effort. The company that does the conversion, Lifepixel, offers 30 nminutes of instruction, which I will do on Friday.
I know I'm kind of beating this series from the City Museum to death but it's one of the more interesting things around town. And it's going to have to do until I get some new material.
The area outside the building, for some reason called Monstro City, is covered with with tubes to climb through, catwalks, parapets and the shells of a couple of old corporate jets. This one looks like it needs some agile maneuvers to avoid the surrounding buildings. They all all old industrial spaces, now converted to loft apartments.
I've mentioned that the building housing the City Museum used to be a shoe factory and warehouse. To complete the product line, it also made shoelaces. I have never in my life stopped to consider how shoelaces are made. No doubt the technology has changes a lot but if you want some old school ties this is the place to come.
The City Museum has a number of works by the sculptor Tom Otterness and there are some others around town. On the surface, the art is simple, even childlike, but just below the effect may be very disturbing. This appears to be the end-game of a whale hunt, in which the smiling prey has turned the tables on the hunter. Give it more than a glance and it is horrifying. I doubt the children passing by pay any attention.
I have a bit more to show from the City Museum before moving on. This isn't as dramatic as the dark back shaft but it illustrates how much fun you can have at this place. There are lots of slides. My Michigan grandchildren, ages 5 and 2, will be here in a month and they are going to have a blast here.
Looking down from the second floor to the ground level over the main stairway at the City Museum. It's a riot of curves, lines and colors that somehow reminds me of Frank Stella's later work. Much of the balustrade is made of industrial rollers covered in a myriad of colors and patterns. The structure in the lower left that looks like a slinky is for children to crawl through, which Ellie does with enthusiasm. No hallucinogens needed in this place.
I can't pull myself out of the back shaft at the City Museum. The colors, the lights and darks and the shapes are just so weird, which I guess is part of the point. Depending on the size of your screen, you may be able to see the twisted ramp with bars across it near bottom center. it's one of the multi-story slides. You sometimes see kids whizzing and squealing through. I have not heard of bigger people getting stuck but it must happen. It would be foolish for someone as tall as me to try.
Near the view in yesterday's post but looking farther up. You can see all the circular ramps used to move merchandise in a shoe factory and the skylight over the 10th story. The depths of the shaft are hidden in shadow. The background looks like it glows with heat.
It looks like this could be one of the sets but it's another part of our strange City Museum. The building is better described on its Wikipedia page, https://en.wikipedia.org/wiki/City_Museum, than its own website. It was originally the enormous factory and warehouse of the International Shoe Company. STL was once to shoes what Detroit was to automobiles. Locals of a certain age, particularly baseball and beer fans, know the saying that we were first in shoes, first in brews and last in the American League.
This cavernous 10-story-tall shaft contains a series of spiral ramps, right, that were used to move shoes and their parts from floor to floor. There are five and ten level slides (I wouldn't dare). And then this organ, salvaged from a theater in New York. It looks like it works but I've never heard of a performance. I'd go if there were one.
More weirdness at the City Museum. Something interesting catches the eye of a concrete serpent but a window blocks the way.
Or at least that's what they claim. We already have the world's largest croquet wicket. This is back in the City Museum, https://www.citymuseum.org/, where Ellie will go on a moment's notice. We spent a longer time there last Saturday and the weather was decent so I got a good haul of pictures. Lots mote to come.
Maybe one last picture for now from the new dinosaur thing at the zoo. Ellie wants to go back this weekend so there will probably be more later.
I didn't make a note of the name of these nasty-looking little creatures. The display gives the impression that they hunt in packs or just like to go out for a frolic with their pals. I don't think they could climb trees with those limbs but then neither can I. Good thing they are made of resin.
At least I think so. You can tell by the teeth, can't you? No sharp incisors here. Still, I wouldn't wear my floppy green hat if I were creeping in for a close-up.
The bony processes that look like fins on a stegosaurus' spine are spectacular. I assume they are for cooling with a function like the coils in a car radiator but I'm too lazy to look it up.
Aren't you glad you live many millions of years after the last really big meteor hit the earth? Another one from the Dinoraurus exhibit at the St. Louis Zoo.
Some people don't have any sense. I wouldn't let my dog, if I had a dog, which I don't, this close to the chompers of a T. Rex. But of course it's all fake, unless the scientists at nearby Washington University have made a remarkable breakthrough. It's been a couple of weeks now but we took Ellie to this new thing at the zoo they call Dinoraurus. There are a number of these creatures that can shake around a bit and make fearsome noises. Kids love it.
I gotta get out on the street and shoot some new material but for today one last work from the Origami In The Garden show will suffice. This is the last one you pass as you are about to leave. I interpret is as a crane on a crane on a crane on a base.
The eastern half of the United States is about to be infested by the 17 year locust explosion. Home town boy William S. Burroughs, https://en.wikipedia.org/wiki/William_S._Burroughs, has other bugs to worry about, possibly from all those things he self-injected. At least he is protected from substances in the air.
His bust is in the Central West End, across the street from that of a much better behaved but no less revolutionary native writer. T. S. Elliott.
The railroad tracks I showed three days ago cut across Webster Groves but aren't much of a barrier (unless you are trying to drive across them when a train comes by, but that's not often). Interstate 44 is another matter. It forms a shallow artificial canyon with far fewer places to cross than the railroad. Much of it is depressed below the surrounding ground level so it's not visually in your face but is something of a scar and a barrier between neighborhoods.
As long as America remains so car dependent I suppose we need it. These roads are much uglier and cause worse social divisions in some other cities.
Although I've been in the St. Louis area since I came to college here in 1967, I do not live in the city proper. It has a small and declining share of the metropolitan population. We have sprawling suburbs. This one is now considered inner ring, older by local standards. According to Wikipedia
Webster Groves' location on the Pacific Railroad line led to its development as a suburb. In the late 19th century, overcrowding, congestion, and unhealthy conditions in St. Louis prompted urban residents to leave the city for quieter, safer surroundings. In 1892 the developers of Webster Park, an early housing subdivision, promoted the new community as the "Queen of the Suburbs", offering residents superb housing options in a country-like atmosphere, as well as a swift commute to downtown St. Louis jobs.
That may have been just real estate promotion but it's still a nice place to live, although passenger trains haven't come here in decades. Now the old station houses a model railroad club.
Or that's what it made me think of when I edited the photo, a fiery floating orb with nasty stuff sticking out. Of course, it's just an old fire hydrant that has been painted and repainted many times. I like the patterns in the worn paint.
