CITY DAILY PHOTO APRIL THEME DAY - SCHOOL

Ah, alma mater. I got both of my degrees here. There wasn't much of a reason for coming. I went to a Jesuit high school in the Bronx. They steered us to Jesuit colleges. This was the one farthest away from home that let me in. Bingo, I'm a St. Louisan. 

I'm the oldest of four children. When I chose a college a thousand miles away from home my mother thought her children hated her. Two years later, my sister enrolled in the more prestigious school across town, Washington University. Then my mother was sure we hated her. The younger two, however, stayed in the northeast.

The campus is almost unrecognizable from my days there - so much bigger and so many new buildings. But, gee, it's only been forty six years.       

I DIDN'T KNOW WE HAD CHERRY TREES

I drive down the street in front of the Old Courthouse every day on my way home from work and never before noticed these cherry trees in Kiener Plaza. The whole place was re-done about three years ago so maybe the trees are new.  The park will become more delightful as the years pass and the trees grow.

There is a beautiful grove of cherry trees along the tidal basin in Washington DC, a gift from Japan, but I've never seen them in person. However, Mrs. C and I have walked through the many blossoming pathways of Kyoto and it is an experience not to be forgotten. Glad we're getting a touch of it here.

         

in Just-

in Just-

spring          when the world is mud-

luscious the little

lame balloonman

whistles          far          and wee

and eddieandbill come

running from marbles and

piracies and it's

spring

when the world is puddle-wonderful

the queer

old balloonman whistles

far          and             wee

and bettyandisbel come dancing

from hop-scotch and jump-rope and

it's

spring

and

         the

                  goat-footed

balloonMan          whistles

far

and

wee

                               e e cummungs
                            Chansons Innocentes

PLEASE

Entrance to the closed cinema at the grand old Chase Park Plaza Hotel, Lindell Boulevard and Kingshighway.

The hotel is adjacent to Forest Park, which I drove through a moment later. The flowering trees have exploded in the last two days. Saturday, when I took this, was drizzly. SUnday should be sunny and I will go back to see their glory.

           

NO DISTANCE

I am staying clear of everybody except my family. If I go to a park I keep my distance. (Being upwind is a plus.) Not everybody is conscious of this, though,

There is a small park downtown where homeless people congregate. As I drove by Thursday I noticed how closely they were gathered. It is heartbreaking on many levels, something I thought should be documented, so I took a quick shot. To avoid voyeurism I edited the picture in B&W, soft focus and added noise. Our colleague Rockenon Ldn, a retired press photographer, can tell us if this is appropriate.           

KEEP YOUR MONEY IN YOUR POCKET

Possibly the only good that has come of the virus shutdown. I have described St. Louis in these pages as Little-Las Vegas-On-Mississippi. (And the Missouri, too.) There are five good-sized casino-hotels ringing the metro area. When this was first legalized the casinos literally had to be riverboats, you know, actually floating. Now they only have to be kinda sorta near the rivers, allowing for much bigger operations.

Lumiere Place, a big one, is just north of downtown. The complex has a very expensive Four Seasons Hotel. I know there are people who who like it and can control their spending, but, like the lottery, I've always thought casinos were ethically indefensible, preying on the most vulnerable. But, hey, this is America! Business ethics are an oxymoron.

Note from the Language Police: shouldn't the verb in the next to last line be "are"? Or does the whole place consider itself a collective noun?               

THURSDAY ARCH SERIES

Haven't been to the big wicket in a while. It's hard to find something new after photographing it for so many years. This shot was taken on last weekend's photo blitz. The technique, though, is an old trick I discovered when I got my first DSLR in 2005. If you get just the right angle of the setting sun on the stainless steel skin, the result is a lightening-like arc of light. Expose for that and everything else goes dark. I actually lightened the original PSD file with masks to bring some color back.             

FIGHT LONELINESS

Before our not-very-strict stay at home order went into effect, I went cruising around town hoarding photographs like some people amass toilet paper. As I drove by the front of the closed art museum I did a double take. 

Across the lane, under the statue of St. Louis, I met David. He had quit his job as an emergency medical technician (!) a few weeks ago, spent some time out on Missouri's Ozark trails, came home and decided not to be a hermit. He had set up a folding table full of granola bars and other snacks along with an ice bucket of flavored sparkling water. He was asking a dollar for them, implying he had gotten them for less at Sam's, but was giving them away on Monday. Then there was this display.

I still had lots of questions but other people walked by and engaged him. Why did he quit his important job? What motivated him to set up this display? What is he going to do with himself now? I hope he stays well.        

AS IF THE VIRUS WASN'T ENOUGH

The Mississippi is approaching flood stage. It's not supposed to get too high on this round but there is plenty of time for more and higher crests.  

MADELEINE MONDAY

Need to perk things up a little. We got a bit of snow yesterday. Ellie thinks that few things are more amusing than catching snowflakes on her tongue. And, FWIW, that's not a halo around her head. It's a Toyota hubcap.          

A SOMBER 13TH ANNIVERSARY

Today is the thirteenth anniversary of St. Louis Daily Photo. It's not a time for celebration although I have posted pictures almost every day. The missed days were due to being in remote locations without Wifi or severe work overload. This is the 4,648th post. 

We represent the occasion with an elevator button in my office building, which I touch only with my cuff or a paper towel, and a street sign in lonely downtown. STL begins a stay at home order tomorrow, although we can go out to food stores, pharmacies, medical appointments and getting curb delivery meals from restaurants. We can even go out for a walk. How this affects my blog depends on how long isolation lasts.          

EMPTY

Kiener Plaza downtown late yesterday afternoon, without a soul in sight. We are not on mandatory isolation but there is no place to go, nothing to do. It struck me as I was driving around that a high proportion of the people I did see were evidently homeless. The cruelest form of social distancing.         

EMERGENCY

A fuzzy, through-the-windshield shot of the entrance to the emergency department at St. Louis University Hospital. I didn't want to get out of the car with my big lens because these days it might attract unwanted attention. Don't go here unless a doctor has already told you to.       

CALM

We could all use some. Legal tip for Americans: do you you have your advance care directive and durable power of attorney in order in case you can't make your own decisions? Free forms are widely available online. Your state bar association's web site is a good place to look.       

RELIEF AND REFRESHMENT

I'm not out on the street much these days, mostly home to office and back, making it hard to get material. My neighborhood isn't very visually interesting (although I could try harder). There are lots more orchid pictures but I thought I would give you a break. This is at the botanical garden. You can get relief, steal a roll of toilet paper and get a little pick-me-up all in one stop.

Sunday is the thirteenth anniversary of this endeavor. What can I find that is worthy of the occasion?          

YOU WOULDN'T KNOW THEY WERE ORCHIDS

Trying to think of better, stable times. Not getting crazed but I'm pretty high risk. My rheumatologist called yesterday and said she doesn't want me around more than 10 people and doesn't want me to go in stores, period. So let's be calmly meditative. 

The association I get with this image is the corps de ballet, softly dancing and softly seen, after maybe a second glass of wine at intermission.      

WHICH DO YOU PREFER?

More from the bumper crop of orchid photos. It's so difficult to decide which to select. Then, even with my mid grade Photoshop skills, there are so many ways to interpret the raw image. It's sort of like looking at sheet music of something you will perform in public and deciding how you will make it sound. Do you prefer the color or the B&W?          

MACRO

I got some decent pictures at the orchid show last weekend but too many of them had poor focus. For the many years I shot with Canon 5D series cameras there was a solution - macro lenses. They are designed to focus from a very short distance so you can get great close-ups. My Canon phase ended because my decrepit frame couldn't take the considerable weight. Now I shoot lighter and smaller Fujifilm X-T cameras but I didn't have a lens that got way in close.

So I blew a wad (well, not a big one) and got a FF macro lens this week. Mrs. C and I went back to the orchid show yesterday and, wow, what a difference. I've got images that might last until toilet paper is back in the stores. (None in the local supermarket today but two local restaurants are giving out a free roll with every take out order. Brilliant.) 

These examples look like vicious little monsters, don't they?               

HOW'S YER EPIPHYTE?

Well, our big St. Patrick's Day parade, always held on the preceding Saturday, is off. So is the small, crazier one held on the day itself. Minor problem given the big picture these days, but there is a scarcity of photo material as well as toilet paper. (None of that in the local Target today.)

But the orchid show is still on at the botanical garden. I went by myself last Sunday and may go back with Mrs. C, depending on how strictly we're social spacing. Pretty photographs are not usually my thing but these are irresistible. It's counter-intuitive but carefully made B&Ws produce some of the most intense images. No question that the monochrome flower pictures of Robert Mapplethorpe are a big influence.

       

ARCHED WINDOWS

The setting in the second floor of the St. Louis Art Museum. The arched windows overlook the central great hall and you can see the one on the other side. The placard on the left of the pedestal shows the artwork that inspired the floral arrangement, in this case a white marble statue.

THE LOCAL SITUATION - we have one confirmed COVID-19 case in St. Louis, a student who just returned from Italy, and two in the State of Missouri. St. Louis City and County just banned all public gatherings of more than 1,000 people. (500 is safe?) We were to attend a big fundraising dinner and auction for an arts group tonight and it's off. The symphony is canceled for the weekend (we had tickets). Our small law office is open but our desks are all more than 2 meters apart. We are changing all client meetings to phone calls. There are contingency plans if most of us have to work from home. I'm getting all of us burner phones so we can call clients without having our personal phone numbers on Caller ID. Hoping for the best and preparing for trouble. 

PS: moments ago, St. Louis County prohibited gatherings of more than 250 people. St. Louis City and County are separate political entities but the City should follow along shortly.    

SOUTHBOUND END OF A NORTHBOUND HORSE

The caption is sort of rude regional expression, or I presume it is. Never heard it until I transferred to the Midwest from the Northeast. It's easy to get the meaning.

This is the monumental statue of St. Louis seen here many times before, taken from inside the art museum during the Art In Bloom show. And, yes, his majesty is facing north.         

A WISP OF SMOKE

I don't remember which work of art this arrangement was associated with. Too much distraction from the crowds, trying to find lines of sight and getting a good exposure. I like the asymmetry from this POV. The twisted branch off to the left makes me think of a jet of soot shooting off from a furnace.        

WAS IST LOS, DEUTCHLAND?

The German artist Anselm Kiefer seems preoccupied with the dark side of technology and his country's history. The work in the background, Burning Rods, refers to the legend of Osiris, the Cernobyl meltdown and a generally dystopian view (although a German business magazine ranked him among the thousand richest people in the country). You need a precis to find your way through it.

The arrangement in front won first prize in the show. You can hardly call it floral. It's barely organic.